I promise not to throw a fit if the makers of this film promise not to
make a sequel called "Shaadi Ke Baad". One film about a hypochondriac
he-he-he-hero who thinks he is dying of the Big C (not chuckles) is bad
enough.
Not again, please!
Wonder what director Satish Kaushik was thinking when he decided to
get seriously funny. The plot seems to pay homage to the cinema of David
Dhawan and Priyadarshan. But Kaushik seems unsure of how to move forward
with the farce.
Once we get the hero's sickness mania right, we begin to worry about
the growing malady in the narration. The second half is as aimless as
Aftab Shivdasani's sketchy role.
Honestly, what were they thinking?
The characters are fuelled more by hot air than any sincere laws of
gravity. Akshaye Khanna grabs your eyeballs with his high-voltage attempts
to instil a sense of method to the madness.
But it's a losing battle. The mixture of a romantic comedy and a gangster
caper works as well as... say, Akshaye and Mallika Sherawat's chemistry.
Mallika, poor thing, gets to mouth some of Sanjay Chhel's outrageously
pun-filled pen-lashed lines with the seriousness of Britney Spears attending
a confessional at church on a day when the priest is in a mischievous
mood.
But the sense of mischief in her character as a vacuous gangster's
kid-sister is pumped up in all the wrong places.
Suniel Shetty as her trigger-happy bumbling long-haired short-tempered
gangster-brother is delightfully goofy.
Attempts
to create a healthy hilarity out of the contrast between the girl-next-door
(Ayesha Takia, typecast) and the moll-on-the-roll are ceaselessly smothered
by the flamboyant look-ma-no-clothes direction.
To director Kaushik and dialogue writer Chhel's credit, the spoken
words are seldom vulgar.
But is that enough reason to rejoice for yet another, ha ha, comedy
which makes "No Entry" and "Malaamal Weekly" look
like two ever-grin 'prequels'?
Yes, we all want a good laugh. But we also want cinema that says something
to us about the quality of life. Just bringing Boman Irani on briefly
(and boy, is he a bright spot in this self-conscious comic outing!)
to deliver a strained homily at the end doesn't take away the sting
from a septic satire.
Some comedies are self-conscious. This one is shelf-conscious. It estimates
its laugh-span at the box office to be as long as Aftab and Suniel's
collective hair... Or as short as Madame Mallika's skirts and bikinis!
And that's the long and short of it.
For the record, Akshaye doesn't die in this terminally ailing comedy.