Monday, May 21, 2018
Arunachal Pradesh

Arts


Folk Dance

Digaru Mishmi Buiya Dance

The Digaru Mishmis have two types of dances called Buiya and Nuiya. The Buiya dance has two types of movements and it is performed for entertainment while the Nuiya is a ritual-dance performed by a priest.

Buiya dance is performed on any festive occasion like the Duiya, Tazampu and Tanuya festivals which are performed for the prosperity and good health of the performer and his household. This dance may also performed after a feast arranged by a family to entertain the fellow villagers who co-operate with it opening a new field.

The dance is performed in the passage which runs along one side of the house from the front to the rear. Men and women take part in this dance. There is no limit to the age of the dancers although generally children and old persons do not take active part in the dance itself but merely sit by, as spectators. There is no special costume for this dance, so they perform this dance wearing their usual dress. The male dancer wears a loin-cloth a sleeveless jacket, a turban and ear-rings. The female dancer wears a blouse, a long skirt reaching down to the ankle with a short one wrapped over it and a side-bag on the left side. They wear necklaces, large silver-ear-plugs and a silver fillet with its strap studded with coins or cowries.

The dancers stand in a line, one behind the other, in the passage. One of the dancers plays a drum while another plays a gong. Cymbals are played, if available, by another dancer. Keeping time to the beats of the drum, gong and cymbals, the dancers take one step forward with the right foot, then gently bring the left foot up to the heel of the left one flexing the knees as before. They dance forward repeating this sequence of movements till they reach the rear of the passage with the same sequence of movements. Thus they dance up and down the passage of the house. They may or  may not sing to the accompaniment of the dance. When they sing a song, it may be solo or in chorus.

There is another movement when they dance with skipping steps but with no accompanying song. The skipping steps of the female-dancers are lower and graceful while those of the male-dancers are higher and more vigorous.

The dancers get no remuneration. There is no formal training but they learn the dance movements by imitating those of the elders.

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