The Mask-Makers (Wood-Carvers)
Chorda is the principal centres of Chhau-mask makers. Chorda is a village in Baghmuni P.S, not very far from the Dak Bunglow and the Ajodhya Hills. The Sutradhars occupy a distinct rank in the caste-hierarchy of the Hindus. Making clay-images of idols is an important occupation of Chorda Sutradhars, along with mask-making. The masks were first made of Simul wood and considering the poverty of local dancers, the cheap materials were introduced later.
The technical stages of production are:
1. Preparation of clay-models.
2. Drying the models partly in sun.
3. Pasting of wet paper twice on these partly dried models.
4. Pasting of paper with glue, six to ten times. The glue is made of gum.
5. Pasting of clay-soaked pieces of cloth twice for parts of the face like eyes, ears, nose etc.
6. Trimming up the whole thing with a small wooden, 'Kurni'
7. Full sun-drying.
8. Detaching the mask from the clay-model, dyeing, painting and finishing.
Various types of Puranic characters, gods and goddesses, birds, animals and demons etc. are made, such as-
Ram, Ravan, Jambubab, Jatayu, Mahisasur, Kirat, Bhim, Arjun, Ganesh, Lakshman, Sita, Abhimanyu, Surpanaka, Kumbhkarna, Siva, Durga, Kali, Saraswati, Krishna, Radha, Balaram and Peacock, Dog, Beer, Deer, Horse, tiger, Lion etc.
There is a mask-making season. It starts from Falgun (January-February) after Saraswati Puja, aiming at Chaitra-Baisakh Gajan festival, which is the peak season of Chhau-dance in Purulia.
There were mask-dancers and mask makers in Domordi village. They are Bhatta Brahmins. These dancers has a liking for refined Puranic and Vaishnava themes. The Sutradhars used to carve doors, house-posts or temple-terracotta's. The entire temple-architecture of Bengal is a terracotta art-work done by the Sutradhars or wood-carvers. These declined by the last quarter of the 19th century. After that wood-carvers of Bengal mainly thrived on making Ratha, carving images of Vaishnava deities and saints and wooden figures of Puranic characters for exhibiting at Vaishnava and other festivals. In Calcutta, the Sutradhars of Bengal are now either making clay-images of deities and furniture or turning to other trades.
The stone-carvers were known as Bhaskars. Burdwan is the most important centre of Bengal school of stone sculpture. Patun and Dainhat near Katwa are the two most important centres of Burdwan school of Bengal Sculptors.