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The Gusadi Dance of Gonds
Deepavali is the biggest festival for the Raj Gonds of Adilabad district.
As the harvest is over and the season is cool and congenial the Gonds
dressed in colourful costumes and decorated with ornaments go to neighbouring
villages in troupes, singing and dancing. Such troupes are called
Dandari dance troupes. Each troupe consist of twenty to forty
members. 'Gusadi' is a part of Dandari and consists of two to five members.
This starts on the full moon day and goes on till the fourteenth day of
the dark fortnight of Deepavali. Each member puts on a turban of
peacock feathers and horns of the deer, artificial beard and moustaches
and goatskin to cover the body. Dappu, tudumu, pipri and kalikom
are the accompaniments. The Dandari troupe dance accompanied by beats
of gumela reaches its climax with regulated steps and rhythm in a circular
form.
The Dandari dance starts with stepping slowly towards
the left side and swinging the right foot on to the left foot at every
step. Every dancer has two small sticks in his hands. First everyone strikes
the two sticks in his own hands, then strike at the sticks of the person
on the right side then strike his own sticks and then the sticks of the
person on the left side. In this way, with steps and striking together
of sticks held in hands they play kolattam and come back to the original
position. Then they bend down and touch the ground with their sticks
and step on to the four sides. This is paying obeisance to the gods. After
this they put into order their circular form and lay down the sticks.
Then they sing and clap their hands. They sing a group song in duet, one
group singing the first line and the second group singing the second line
of the song.
While this is going on, the Gusadi troupe intrudes into
the circle with peacock feathered turbans, artificial beards and moustaches,
goat skins as covers, strings of cowries and beads around the neck, tinkling
bells on wrists, white stripes and dots on the bodies, with modesty pieces
around the waists and poles in their hands they enter the circle. After
the scattering of the Dandaris, the former raising their hands, and swaying
and jerking to the accompanying sounds of the bells and cowries on their
bodies. It present a dreadful scene to the on lookers. They jump hither
and thither and they utter war cries and with vehement motion and frenzied
laughter they frighten the boys and come up on the spectators. They also
touch the waists of the spectators with the poles in their hands and tickle
them. After some time they dance rhythmically, stepping forward and backward
and hither and thither and also zigzag to the accompaniment of instruments.
Lastly, the hosting villagers invite them and wash their feet.
Lambadi Dance
Lambadi is the semi - nomadic tribe that is spread all over Andhra. They
are also known as Banjaras or Sugalis. Their
dances are inspired by the movements associated with daily tasks like
harvesting, planting and sowing. The costumes, embroidered with glass-beads
and shining discs are picturesque; matched by the abundance of ornate
jewellery worn by them. The jingling brass anklets, the hanging cowry
bunches and the ivory bangles from wrists to elbows provide a natural
rhythm to their dances. Dussehra, Deepavali and Holi are the festive occasions
when the Banjaras go from house to house dancing and receiving alms. Twenty
to thirty Banjara women dressed in colourful costumes with shining brass
vessels filled with water either on heads or waists present a group dance.
The graceful movements of their waving hands and supple waists provide
a feast to the onlookers.
Siddi Dance
The Siddis present tribal dances during marriages and other festive occasions.
Their dances depict the tribal warfare of their home land in all its ferocity.
Armed with shining sword and matchlock and dressed in their exotic primitive
costumes, they dance with vigour and force.
In rural Andhra some folk dance forms are confined to
certain regions, some dance forms are common to all the regions.
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