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Weaving the mystery of Kuldhara legend with threads of fiction |

Title: The Legend of KuldharaAuthor: Malathi RamachandranPublisher: Niyogi Books Pages: 280 Price: Rs 395
The story of the legend and curse of Kuldhara has always been a mystery as
everyone is familiar with the incomplete ending that disappears into a void. In
the book, "The Legend of Kuldhara", author Malathi Ramachandran picks up the
loose threads left behind by history and weaves it into a beautiful and
intricate novel.
The tale that history has told us is of a village in Rajasthan named Kuldhara
which was deserted overnight by the prosperous Paliwal Brahmins after the
cunning Diwan of the Maharawal of Jaisalmer, Salim Singh, cast his licentious
eyes on the elder daughter of the Kuldhara village chief. Following this, the
village people disappeared into thin air, leaving no trace of themselves. The
mysterious part remains that they were never found.
The author goes on to add to the story what might or could have happened to
these people, how their lives were altered or even shattered for many as they
had to leave their homes in a single night and stray into the unknown, harsh
deserts.
In a conversation with IANS through email, Malathi Ramachandran revealed:
"Weaving a story out of meager information sounds very difficult and
challenging. But it is actually a boon for a fiction writer because it is then
possible to create a fresh world complete with its own characters and events and
stories."
The strong pillars of this book are the two female characters, who despite
having obstacles hurled at them, refuse to give in to the circumstances and
stand firm as rocks. The author portrays the characters of Pari (elder daughter
of the Kuldhara village chief) and Parvati (Salim Singh's wife) who though live
miles apart are connected by an evil string, the Diwan. Though they have their
low points, they keep their strength to accept and fight the challenges.
Depicting such female characters at a time, more than hundreds of years ago,
when society had a strong patriarchal stench, isn't an easy task. However, what
drew her attention was that these characters instead of looking out of place
completely fitted the plot of the story.
"I have woven the plot keeping in mind that this was a hundred years ago, in
heavily patriarchal times, when women were treated as chattels and pawns. In
that sense, whatever happens to Pari and Parvati is natural, but how they decide
to react is my own take on how a woman's strength comes out in adversity,"
Ramachandran said.
When asked how she went about writing the book with such varied characters when
the Paliwals' disappearance has been shrouded in mystery, she said: "Based on
the historical facts, I went about creating a detailed plot, storyline, and
characters. I had decided to centre the story around the one woman who was not
only the (unwitting) cause of the exodus but also its victim because the rest of
the clan would always hold her responsible for their troubles. So I created the
character of Pari. Then I realised that if Salim was a womaniser he would surely
have an unhappy wife or two in his life. So I created the character of Parvati."
"My aim was to make the two women not just victims of their destiny, but strong
enough to take their lives into their own hands at some point. As for the other
characters, they were created to fit into the plot," she added.
The author narrates the story brilliantly delineating the life in a desert,
village and in Jaisalmer in vivid colours as well as in a sombre mood. The
Diwan, Kuldhara village chief's manager, and other characters all have important
roles to play thus balancing and keeping at par with the main female characters.
"All the characters in my books are inspired in small or big ways by people I
know or have met even fleetingly. Their looks, mannerisms, character traits are
then built up and fleshed out to create a complete persona. When I returned from
my first trip to Jaisalmer, the story of the people of Kuldhara and their
Paliwal clan stayed with me. It lived and haunted me day and night until I felt
I had to put it all down," says Ramachandran.
Stressing the importance of research in historical fiction, she said: "I
strongly believe that historical fiction without research would lack
authenticity and credibility. Various levels of research are essential to set
the true cultural and political milieu for a period novel. I spoke to Paliwals,
heard about their clan's great migrations over the centuries, how they came to
settle in Jaisalmer and what made their ancestors abandon their villages that
fateful night. I visited the city of Jaisalmer to familiarise myself with its
architecture, food, and people."
The author has managed to take these characters from the path of rainbow hues to
provide them unpredictable and knee-jerking twists of different hues. She knows
exactly what she wants from the characters without them wobbling even once.
That's what makes the book so readable.
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