Madurai Meenakshi Temple
State: Madurai,
Tamil Nadu
Significance: Magnificent example of Dravidian architecture and
one of the largest temple in India
Best time to visit: Throughout the year
Acknowledged as the finest, and one of the
largest, Meenakshi Sundareswar temple popularly known as Madurai
Meenakshi temple is a magnificent example of Dravidian architecture in India. It
is located at the heart of Madurai City, featured by an astonishing profusion of
sculpted figures, ornamental pillars and cloistered courtyards.
The history of the temple dates back to very
ancient times two to three thousand years ago, when Madurai was the capital of
the Pandya Kings. King Kulasekhara Pandya heard about a divine Siva Linga under
a Kadamba tree inside a forest, from a traveling devotee. He cleared the forest,
found the lingam and build a temple there. According to legends, the 'swayambu'
is believed to have been found by king of Gods Lord Indra when he was wandering
on earth due to a curse brought upon him by the killing of a Brahmin, Vrithasura.
He worshipped the 'swayambu' (Siva linga) and was relieved of his curse.
The temple grew in status under the
patronization of Pandya rulers. But in the year 1310, the temple was almost
completely destroyed by the Muslim conqueror Malikkapur. It later regained its
glory in the14th century when the Vijayanagara empire came to power. The present
temple was designed by Vishwanatha Nayak in 1560 and was mostly built during the
reign of Tirumalai Nayak (1623-55 AD). Subsequently his grandson added many
imposing structures including some of the great entrance towers. The temple grew
to its present size and shape in a span of a hundred years, from 1550 to 1650. This
temple has two main shrines, one dedicated to Parvathi in the form of Meenakshi
(the fish eyed Goddess, consort of Shiva) and the other to Shiva in the
form of Sundareswar.
Apart from the two main shrines, the 15 acre
temple complex is surrounded by a number of small shrines, twelve large towers (Gopuras),
a sacred tank and numerous grand pillared halls (Mandapas). The outer wall
of the complex is 259m by 221m. There are five entrances to the temple, the one
on the south of the east gopuram is usually preferred since it leads to the
shrine of Goddess Meenakshi, who is the presiding deity.
Towers or Gopurams
The twelve towers of the temple, some of them
with a height of 45 to 50 meters, rise from solid granite bases and are covered
with stucco figures of deities, mythical animals and monsters painted in vivid
colours. Among the towers, four are 'Rajagopurams' or nine tier majestic
towers with painted sculptures. The 16th century southern gateway built by
Siramalai Sevanthi Murthy Chetti is the largest one with a height of nearly 50
meters, with 1511 sculptures on it. From the top of this gopuram one can get a
panoramic view of Madurai city and the other remaining gopurams of the temple. The
west tower with 1,124 sculptures is 47m (154 ft) high and was built by King
Parakrama Pandian between 1315 and 1347. The north tower was started by
Krishnaveerappanaicker (1564-1572) and completed by the family of
Amaravathi Pudur Vayinagaram Nagappa Chetti in 1878. This tower is
46m (152 ft) high and has 404 sculptures on it. The fourth rajagopuram in
the east built by King Maravarman Sundarapandian (1216-1238) is around 46m high
and has 1011 sculptures depicting episodes from puranas. The eight smaller
gopurams are within the compounds of the twin temples. There are also two golden
pinnacles one on top of the two main shrines.
The Golden Lotus Tank
Inside
the complex, there is a scared tank of the Golden Lotus, which is older than the
temple itself. This pond is believed to be created by Lord Siva by thrusting his
'soolam' into the earth and grants prosperity to all who bathe in it. The
rectangular stepped tank of length 240 and breadth 165 has a brass lamp in the
centre, surrounded by pillared cloister. Statues of Dhananjeya and Kulasekara
Pandiya are carved on the pillar on the northern side of the tank. The walls of
the colonnade on the north and east are decorated with dilapidated murals,
representing the 64 legendary deeds that Shiva performed in and around Madurai.
The ceiling of the walkway are painted with large medallions. Composition
illustrating the marriage of Shiva and Meenakshi, covers the ceiling of a small
pavilion that projects over the water on the west side of the tank.
Several impressive and sprawling halls surround
the temple, like the Ashta Shakti Mandapam, Meenakshi Naickar Mandapam,
Kilikoondu Mandapam, Rani Mangammmal Mandapam, Aayira kaal Mandapam (Thousand
pillared Hall)etc.
Ashta Sakthi Mandapa (Hall of the eight goddesses)
This hall projecting outwards from the enclosure wall south
of the east gopuram leads straight to the Meenakshi shrine and is usually
preferred by visitors. It is 14m long and 5.5m wide contains an impressive
structure, with a hemispherical ceiling. There are bas-reliefs all over the
place including statues
of Vallaba Vinayagar and Murugan at the entrance.
It was erected by two of Tirumalai Nayak's queens, Queen Uruthirapathi Ammal and
Queen Tholiammal (1623-1659). Eight goddesses (eight forms of Goddess Sakthi)
and two male donor figures are carved on the columns, paintings depicting the
life of Goddess Meenakshi cover the curved brick vault above.
Samagam Meenakshi
Naickar Mandapa
This large hall 42.9m long and 33.5m wide used
for shops and stores is adjacent to Ashta Shakthi Mandapam This was built in
1708 by Meenakshi Naickar. It contains 110 stone columns, arranged in six rows,
each 6.7m high carrying figures in the form of mythical beast yali. Some of the
carvings are unfinished. Its piers have lion brackets carrying suspended beams.
At the far end of this hall is a doorway surrounded by a brass frame covered
with oil lamps. The towered gateway here is on an axis with the Meenakshi shrine
further west.
Unjal Mandapas
On the west side of the golden lotus tank is the Unjal
mandapam or the Hall with swing. This mandapam was constructed by Thiruambala
Chetti in1562. There is another Unjal Mandapa built by Chettiyappa
Naickar in 1563 opposite to this. The presiding deities are worshipped on the
swing here, every Friday. There are paintings of the six abodes of Lord
Muruga on the ceiling of this Mandapa. A
celebrated mural, opposite to the entrance of the shrine, depicts the marriage
of Goddess Meenakshi.
Killikoontu
Mandapam or Sangili mandapam
Kilikoontu Mandapa or the hall of parrots, also on the west
side of the golden lotus tank was constructed in1623 by Abisheka Pandaram. The
parrots in the Kilikoontu Mandapam have been trained to chant Meenakshi's
name. The pillars of the mandapam are carved with excellent sculptures of dragon
like figures (yali) from Hindu mythology as well as idols of the Pandavas and
Draupadi. Hence this mandapa is also called yali mandapam. The two shrines
of Siddhivinayaka and Kumara are located here.
The Kambathadi Mandapa
It is an impressive hall with a seated Nandi within a
pavilion, and an altar and glided flagpole in the middle. This mandapa was built
by Krishna Veerappa Nayak (1572-95) and renovated in 1877 by the Nagarattars.
There are eight piers carved with outsized images of Natesha, Virabhadra, Kali
and other Shaiva deities. There are also the ten incarnations of Lord Vishnu.
The sculptures of the marriage of Goddess Meenakshi and Sundareshwar being
blessed by Vishnu and Brahma, and Shiva in his 24 forms are in this mandapa,
around the flagstaff in front on the Sundareswar Shrine.
Thousand Pillared Hall (Ayirakkal
Mandapa)
The largest and the most spectacular mandapam in the temple,
the Thousand
Pillar hall dates back from the mid 16th century. Built by Ariyanatha Mudaliyar,
this mandapa is situated near Veeravasantharayar Mandapam in the north east
corner of the temple. Measuring 75m (250 ft) by 72m (240 ft), this hall contains
985 beautifully sculptured pillars.
Each pillar is exquisitely carved out of a single circular
block of granite and sounds an arpeggio of musical notes when tapped.
These pillars have been so arranged that from whatever angle one looks from
within, they can be seen in rows. On every pillar there are sculptures.
 At the entrance, there is an idol of Ariyanatha Mudaliar,
facing south bestrides a horse, erected in 1569. There is a large deity of
Nataraja (dancing Siva) at the far end of the hall and at the centre, an idol of
Lord Sabapati. Among the sculptures are Kannapur, Lord Shiva destroying an asura,
four armed goddess riding a bird and sculptures of Pichadanar, Dharman, Beeman,
Rathi and Veerpathirar, carvings of Agni, Manmadan, Purushamirukam, Arjunan
and Mohini, yalis and Hunter, as well as that of two Dwarapalakars, Statues of
Thiripurandhakar, Nirutha Ganapathy with an urn containing ambrosia, Lord Muruga
on peacock, Nagaraja, Saraswathy etc. On the roof of the entrance
there is a wheel, representing 60 years in the Tamil calendar.
An art museum was established in this hall in 1966,
with exhibits of temple art and architecture, fine brass, five metal and stone
images, friezes and photos, religious icons, antique coins etc. Images include a
mounted warrior, dancing bearded man and gypsy woman. A corridor lined with
rearing yalis, female musicians and attendants leads to an impressive bronze
image of the dancing Shiva and paintings depicting the 64 miracles performed by
Lord Sokkanathar, are raised on the dais at the north end of the hall.
Instructive copies of the murals surrounding the Potramarai Kulam are also
exhibited. The visiting time here is 8 am to 8 pm.
The Pudumandapa
Built in 1635 by Tirumala Nayak, the Pudumandapa (new hall)
stands outside the Meenakshi Temple, on an axis with the east gopura. It is a
large hall, 100m by 32m, and contains hundred and twenty four pillars. Large
fully modelled icons of Kali and Natesha mark the end of the front corridor.
Here too, there is a composition illustrating the wedding of Goddess Meenakshi
with Sundareshvara, attended by Vishnu. The side aisles have lofty ceilings
carried on brackets fashioned as seated yalis. The interior of the Pudu Mandapa
opens up into a large space. The columns are carved with robust royal figures,
portraying all of the Nayaka rulers and their ministers.
The Kalyanamandapa
Built by Vijayaranga Chokkanatha Nayak (1706-1732) in the
eighteenth century, the hall contains excellent woodwork. It was originally open
on all sides. The teak roof have paintings depicting miracles of Lord
Siva. In the center of the hall, there is a large platform, where annually the
marriage of the Lord and the Goddess used to be held. Now the wedding takes
place in the new wedding hall, and afterwards the deities are kept in this
Mandap to bless the devotees. On two of the walls are two huge paintings of the
'two worlds' of Hindu cosmogony, each about 1.8m in diameter. The golden chariot
of the temple is kept in this mandapam and the golden chariot procession
also starts from this mandapam.
Rani Mangammal Mandapa
There is another hall on the western tank called the Rani
Mangammal Mandapa which has paintings showing the marriage of Meenakshi and
Sundara and also from Ramayana and Mahabharata. It contains several paintings
dating from Rani Mangammal's period.
Kolu Mandapam
Built by Krishna Veerappa Naicker, this mandapa is situated
in the second corridor of the Amman Sannithi (Meenakshi shrine)
on the western side. The Bomma Kolu (rows of idols and toys) is displayed
here during the Navarathri festival.
Contacts:
Joint commissioner / Executive Officer
Arulmighu Meenakshi Sundareswarar temple
Madurai 625 001
Phone : 0452- 2344360
Fax : 0452 -2341777
E-Mail : Contact
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